On arrival there she was saved from "selection" for the gas chambers by letting slip that she was a cellist. Although she was still only 18, and had not been able to practise since her arrest, she was immediately recruited into the Auschwitz orchestra: a bizarre organisation of internees which gave concerts for the guards and played marching tunes for the slave labourers as they were driven out to their work. Again, her life was saved.
Auschwitz was run down in late 1944 as the Red Army came near. In October of that year, Anita and Renate, together with countless others, were taken westwards to Belsen. Here there were no mass gassings, but instead gross overcrowding, starvation and typhus epidemics as Nazi Germany collapsed. Why the guards did not simply throw away their uniforms and lose their identity in the turmoil of refugees remains a mystery: instead they kept the camp going, with an ever-mounting death rate, until British troops arrived in April 1945. Nothing could have prepared the soldiers, battle-hardened though they were, for the appalling sights that met them: the heaps of emaciated copses, and even the survivors little more than walking skeletons. Anita and Renate remained on the scene to give evidence at the trials of the Belsen guards, which resulted in the hanging of eight men and three women.
After some bureaucratic delays, Anita managed to move to England, where she married and began her career as a cellist.
I was fortunate enough to meet Anita Lasker-Wallfisch when she gave a very moving lecture about her experiences. I asked her to comment on what I had read; that the most brutal guards in the concentration camps were often not Germans, but people drawn from minority groups in Eastern Europe, such as Lithuanians and Ukrainians. She agreed with this: her view was that for most Germans, antisemitism was essentially intellectual or academic; whereas for many of these other peoples it was much more visceral: they simply hated all Jews.
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