Ravenna is off the main tourist routes, in flat, marshy uninteresting surroundings. If it was not for the mosaics, no-one would visit it. But it was once the capital of the Western Roman Empire, and that is why the mosaics are there.
The Roman Empire was divided in the 4th
century, with Constantinople the new capital in the east. Milan became the
capital in the west, but then the Emperor Honorius, considering that Milan was
too exposed, retreated to Ravenna on the east coast; protected from attack by
the marshes and linked to Constantinople by the fleet. Honorius (reigned
395-413) was one of the most inept of all the emperors: it was during his
disastrous reign that German tribes swept across the Rhine in 406 and Rome
itself was sacked by Alaric’s Goths in 410. Honorius made no attempt to avert
these catastrophes, but at least in Ravenna he was safe.
Honorius had a sister, Galla Placidia, who
after a distinctly chequered career was buried in Ravenna, in a charming little
mausoleum decorated with superb mosaics.
and facing him, St. Lawrence, with the gridiron on which he was barbecued alive.
The Roman
Empire in the west finally disappeared in 476, and a few years later Theoderic,
King of the Ostrogoths, established a powerful kingdom in Italy, with Ravenna
as its captal. He was generally on good terms with Constantinople, and made an
effort to maintain Roman traditions.
The Goths were Christians, but to the
orthodox they were Arian heretics – that is, they held that Jesus necessarily
came later than, and was inferior to, God the Father. Theoderic, however, was a
tolerant ruler, and as a result of this Ravenna had two baptisteries: an Arian
one
and an Orthodox one, now known as the Neonian baptistery.
and an Orthodox one, now known as the Neonian baptistery.
It will be noticed that in these early Christian mosaics, Jesus is always shown as a beardless youth. We are so accustomed to seeing an adult bearded Jesus that it comes as a surprise. I’m not sure when the “bearded” tradition begins.
Arian churches were built, such as S.
Apollinare Nuovo, which has magnificent mosaics.
Here on the northern side of the aisle we see the three Magi presenting their gifts to the baby Jesus, attended by a line of holy virgin martyrs; with male martyrs facing them on the southern side. There is also a representation of the fleet that was once based at Ravenna (The sea has now retreated a considerable distance)
Here on the northern side of the aisle we see the three Magi presenting their gifts to the baby Jesus, attended by a line of holy virgin martyrs; with male martyrs facing them on the southern side. There is also a representation of the fleet that was once based at Ravenna (The sea has now retreated a considerable distance)
Theoderic died in 526 and was buried in an austere mausoleum on the outskirts of Ravenna.
There followed a disputed succession, and the emperor at Constantinople, the great Justinian, decided to take advantage of this confusion to regain Italy for his empire (now more generally known as the Byzantine Empire), and sent his generals, Belisarius and then Narses, on a campaign of reconquest. This war lasted eighteen years, and was successful in the short term, but left Italy completely devastated. The situation was made worse by the onset of a plague epidemic and by climate change, with temperatures falling. Many historians would argue that it was the 530s, rather than the fall of Rome, which marked the real end of the classical world.
The Goths retreated from Italy, but this
only left room for the invasion of another German tribes, the Lombards, who
gave their name to a region of northern Italy.
Ravenna continued to be the centre from
which Justinian and his successors attempted to rule Italy. Arianism was
suppressed, and existing churches were reconsecrated in the orthodox faith.
The finest mosaics of all were created in the church of S. Vitale, after the expulsion of the Goths. The most glorious are in the presbytery
with Christ the saviour in the apse (see the start of this essay) and the Lamb of God with angels on the ceiling.
On either side are saints, prophets and evangelists, such as this illustration of the story of Abraham
all surrounded with decorations of foliage, birds and abstract patterns.
The finest mosaics of all were created in the church of S. Vitale, after the expulsion of the Goths. The most glorious are in the presbytery
with Christ the saviour in the apse (see the start of this essay) and the Lamb of God with angels on the ceiling.
On either side are saints, prophets and evangelists, such as this illustration of the story of Abraham
all surrounded with decorations of foliage, birds and abstract patterns.
But the most famous of all the mosaics show, on the left hand side, the Emperor Justinian
Theodora began her career as a dancer in the circus; or, according to her enemies, a
child prostitute.
(A magnificently scandalous depiction of Justinian and Theodora can be read in “The Secret History” of Procopius: one of the greatest books to survive from Byzantine times)
(A magnificently scandalous depiction of Justinian and Theodora can be read in “The Secret History” of Procopius: one of the greatest books to survive from Byzantine times)
(A few miles outside the town is the church of S. Apollinare in Classe, with more fine mosaics, but we didn't get there. Not far from S. Vitale a Roman house with extensive floor mosaics has recently been discovered, and given the rather charming name of "the house with the stone carpet")
A lamp in his sepulchre is kept burning with oil from Florence. More recently, the Florentines asked for his body to be returned to them, a request which the people of Ravenna rejected.
Justinian
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